The Margaret Atwood Society is an international association of scholars, teachers, and students who share an interest in Atwood’s work. The main goal of the Society is to promote scholarly exchange of Atwood’s works and cultural contributions by providing opportunities for scholars to exchange information. To let us know about current Atwood-scholarship-related news or events, please email us the appropriate information. We will include your news on this site and/or our Facebook page and Twitter feed. We welcome your friendship and comments on Facebook and Twitter, whether or not you join the Society.
If you’d like to join the society, please see the Membership page.
Note: For contact information for Margaret Atwood, see the contact listings on her official website. (You might also have luck @ replying her on Twitter). We do not forward messages or materials to Ms. Atwood.
The Royal Winnipeg Ballet is featuring an adaptation of Atwood’s novel The Handmaid’s Tale from October 16 through October 20. On October 21, the ballet travels to Brandon to perform at the Western Manitoba Centennial Concert Hall.
From The Atlantic:
Man Booker Prize winners Margaret Atwood and Howard Jacobsen have bravely committed themselves to writing contemporary versions of Shakespeare’s plays in honor of the 400th anniversary of the Bard’s death. Jacobsen will rework The Merchant of Venice and Atwood will take on The Taming of the Shrew as part of project put together by Penguin Random House’s Hogarth imprint.
Each year, Margaret Atwood Society holds its annual business meeting during the MLA convention. This year’s MLA convention is January 3-6 in Boston, and our meeting will be held the first night of the convention, Thursday, Jan. 3. at the conference headquarters hotel (the Sheraton Boston, 39 Dalton St.) in Beacon H. The meeting begins at 8:45 p.m. Regular business includes determining the topics and chairs for future conference panel sessions, and this year our special business includes filling some officer roles.
All Society members are invited to the meeting, as are those simply interested in seeing what the Society is all about. MLA badges are not required to attend the meeting.
All are welcome to attend, meet some members, and share ideas.
On November 28 at the Canada House on Trafalgar Square, Margaret Atwood was named a Companion of Literature and inaugurated as a Fellow of the Royal Society of Literature. No more than ten writers are Companions at any one time, and it is considered the RSL’s highest honor.
Fellows sign into a great roll book using either Byron’s pen or Dickens’s quill; Atwood used Dickens’ quill. (Though she tested both out first in the editor’s notebook).
A woman in the audience asked about the future of gender relations; Atwood responded with, “Here’s a shocking piece of news for you: not all women are nice.” But, Fergusson reminds us, Atwood has a warmer side, too. “Speaking about her appetite for new technology—Twitter, Wattpad, Byliner—she revealed an overwhelming desire to ‘enable literature’ among people without regular access to bookshops, or libraries.”
Margaret Atwood has been the leader in her field and her art for decades, and now she’s ushering in new writing and publishing technologies. Atwood has embraced social media (and even defended the Internet by saying it encouraged literacy) by connecting with readers and spreading the word about issues important to her and her fans, such as possible library cuts in Toronto, via Twitter. Atwood is now working with Wattpad, an online writing community and has co-founded Fanado, a service that provides a “distinct combination of face-to-face online meetings with legally verifiable signatures.”
Writing for the Guardian, Atwood responds to naysayers and those who simply wonder why she doesn’t just relax a bit:
Maybe my dates with Wattpad are a bit undignified. But at my age you can afford to be undignified. You’re free to explore, and to guinea-pig yourself, and to stretch the boundaries.
Artist Jane Eccles’s new exhibit opens February 26 and runs until April 10 at the Whitby Station Gallery in Whitby, Ontario. Eccles’s exhibit is called “Overlap,” and includes a painting of a dress donated by Margaret Atwood, painted by Eccles. For more information, see the Station Gallery’s website.